{"id":272,"date":"2017-01-12T17:49:51","date_gmt":"2017-01-13T00:49:51","guid":{"rendered":"http:\/\/thecraftycritter.com\/?page_id=272"},"modified":"2017-01-31T11:32:22","modified_gmt":"2017-01-31T18:32:22","slug":"glossary-of-crafty-terms-and-tools","status":"publish","type":"page","link":"https:\/\/thecraftycritter.com\/index.php\/glossary-of-crafty-terms-and-tools\/","title":{"rendered":"Glossary of Crafty Terms and Tools"},"content":{"rendered":"<h4 style=\"text-align: center;\"><a href=\"#goToA\">A<\/a> | <a href=\"#goToB\">B<\/a> | <a href=\"#goToC\">C<\/a> | <a href=\"#goToD\">D<\/a> | <a href=\"#goToE\">E<\/a> | <a href=\"#goToF\">F<\/a> | <a href=\"#goToG\">G<\/a> | <a href=\"#goToH\">H<\/a> | <a href=\"#goToI\">I<\/a> | <a href=\"#goToJ\">J<\/a> | <a href=\"#goToK\">K<\/a> | <a href=\"#goToL\">L<\/a> | <a href=\"#goToM\">M<\/a> | <a href=\"#goToN\">N<\/a> | <a href=\"#goToO\">O<\/a> | <a href=\"#goToP\">P<\/a> | <a href=\"#goToQ\">Q<\/a> | <a href=\"#goToR\">R<\/a> | <a href=\"#goToS\">S<\/a> | <a href=\"#goToT\">T<\/a> | <a href=\"#goToU\">U<\/a> | <a href=\"#goToV\">V<\/a> | <a href=\"#goToW\">W<\/a> | <a href=\"#goToX\">X<\/a> | <a href=\"#goToY\">Y<\/a> | <a href=\"#goToZ\">Z<\/a><\/h4>\n<h2 id=\"goToA\" style=\"text-align: center;\"><strong>A<\/strong><\/h2>\n<p><strong>Acetate <\/strong>is transparent plastic film with a variety of uses, e.g. behind apertures, either for shaker cards or to make embellishments appear to hang unsupported; for stamping or mounting outline stickers, so they can then be painted with glitter glues and glass paints.<\/p>\n<p><strong>Acid-Free Paper<\/strong>: Paper with a neutral or basic pH level (7.0 to 9.0), is less prone to yellowing or deterioration, and will not harm photographs that are attached to it. During production, acid-free paper may be treated with a mild base (usually calcium or magnesium bicarbonate) to neutralize the natural acids occurring in wood pulp, and it may also be buffered to prevent the formation of additional acids as may develop from the application of sizing.<\/p>\n<p><strong>Acrylic Paint<\/strong> is a fast-drying paint made of pigment suspended in acrylic polymer emulsion. Acrylic paints are water-soluble, but become water-resistant when dry. Depending on how much the paint is diluted with water, or modified with acrylic gels, media, or pastes, the finished acrylic painting can resemble a watercolor or an oil painting, or have its own unique characteristics not attainable with other media.<\/p>\n<p><strong>Adhesive<\/strong> is any substance applied to one surface, or both surfaces, of two separate items that binds them together and resists their separation. There are many different types of adhesives used in crafting including: tape, glue, epoxy, glue sticks, hot glue, rubber cement and spray adhesives.<\/p>\n<p><strong>Airbrush <\/strong>is a compressed air tool shaped like a pen that dispenses a fine mist of paint, ink or dye. Used in illustration and re-touching photos, as well as in crafts, to achieve a graduated tone.<\/p>\n<p><strong>Air Mail Paper <\/strong>is paper made in the lightest substance while ensuring reasonable strength and a good surface, to minimize postage costs. Generally produced in white, off-white or pale blue, and usually below 40 grams per square meter. Some non-airmail lightweight bonds are still known as airmail papers.<\/p>\n<p><strong>Alcohol Ink <\/strong>is permanent, fast drying, transparent, acid-free dye inks specially formulated to create a vibrant, polished stone look. Can be used on glossy paper, dominoes, metal, foil, shrink plastic, glass and other slick surfaces and are particularly useful in the creation of Altered Art designs.<\/p>\n<p><strong>Alter<\/strong> is a term used to change or revise a pattern or garment to fit an individual.<\/p>\n<p><strong>Altered Art <\/strong>is collaging, stamping, embellishing, and otherwise altering a craft to reflect an artistic idea or narrative.<\/p>\n<p><strong>Altered Book<\/strong> is a found book, embellished through collaging, stamping, or other decoration to express an artistic idea or narrative.<\/p>\n<p><strong>Angel Hair <\/strong>is material made from the fusing of fine fibers. Used mainly as a backing material, normally sold in sheets.<\/p>\n<p><strong>Antique Embossing <\/strong>is a technique of creating an aged surface using rubber stamping materials.<\/p>\n<p><strong>Antiquing <\/strong>is a more involved form of distressing in which the crafter works to create an antique appearance, such as using historical ink or paint colors and faux finishes. May require many steps.<\/p>\n<p><strong>Antistatic Pad <\/strong>is used to eliminate static and clear small particles away. Swipe over the area to clean.<\/p>\n<p><strong>Aperture Cards <\/strong>were originally used for cross-stitch. Now they&#8217;re widely used for Iris folding and many other techniques, apertures come in all shapes and sizes.<\/p>\n<p><strong>Appliqu\u00e9<\/strong> is an added decorative element, as in needlework, made by cutting pieces of one material and applying them to another.<\/p>\n<p><strong>Archival paper<\/strong> is an especially permanent, durable acid-free paper. Archival paper is used for publications of high legal, historical, or significant value. Often, cotton rag paper is used for archival purposes, as it is not made from wood-based pulp. Thus, &#8220;archival paper&#8221; is sometimes broken down into two categories:<\/p>\n<ul>\n<li><strong>Conservation-grade<\/strong> \u2014 acid-free, buffered paper made from wood-based pulp.<\/li>\n<li><strong>Archival-grade<\/strong> (also Museum-grade) \u2014 cotton rag paper made from cotton pulp.<\/li>\n<\/ul>\n<p><strong>Armscye <\/strong>is a dressmaking term for an arm-hole, where the sleeve is attached.<\/p>\n<p><strong>Arrowhead Stitch <\/strong>is a small, triangular stitch used on a seam to add strength at points of strain.<\/p>\n<p><strong>Art deco<\/strong> is a style of design and decoration popular in the 1920&#8217;s and 1930&#8217;s characterized by designs that are geometric and use highly intense colors, to reflect the rise of commerce, industry and mass production.<\/p>\n<p><strong>Art nouveau<\/strong> is a decorative art movement that emerged in the late nineteenth century, characterized by dense asymmetrical ornamentation in sinuous forms, it is often symbolic and strangely erotic.<\/p>\n<p><strong>Austrian Blind <\/strong>is a long gathered blind, which is ruched at the bottom.<\/p>\n<p><strong>Awl<\/strong> is a point-tipped tool for pushing out corners when fabric is turned the right way.<\/p>\n<h2 id=\"goToB\" style=\"text-align: center;\"><strong>B<\/strong><\/h2>\n<p><strong>Backing <\/strong>is a quilting term for the back layer of fabric used in a quilt, wall hanging etc.<\/p>\n<p><strong>Backstitch<\/strong> is worked by hand or machine. This is a strengthening stitch. By hand it&#8217;s formed by overlapping stitches; first stitch up to the front of work, then go back behind the first needle position and then up again in front and repeat along the row. On a machine use the reverse stitch lever at the beginning and end of a row of stitches to secure in place.<\/p>\n<p><strong>Ballpoint Needles <\/strong>is designed to use with knit and stretch fabrics, these needles have slightly rounded tips, which part the fibers of fabrics rather than piercing them, to prevent damage.<\/p>\n<p><strong>Basecoat<\/strong> is the first layer of paint applied, usually a neutral color to provide a consistent background.<\/p>\n<p><strong>Base Line<\/strong> is the line on which the main part of a letter (excluding ascender and descender) rests.<\/p>\n<p><strong>Batik<\/strong> is a technique for dyeing fabric by which the parts of the fabric are covered with removable wax to prevent absorption of the dye.<\/p>\n<p><strong>Batten <\/strong>is a length of wood to attach to a quilt, blind, pelmet or valance to a window frame.<\/p>\n<p><strong>Batting <\/strong>is a flat material used to stuff and pad, usually cotton, wool or fiberfill. (Also known as wadding).<\/p>\n<p><strong id=\"basting\">Basting<\/strong> or <strong>Tacking<\/strong> is large stitching to temporarily join fabric pieces. It&#8217;s removed once the permanent stitching is done. Basting can be done by hand or machine.<\/p>\n<p><strong>Beads <\/strong>are glass, wood, plastic, clay or ceramic shapes with a hole through the center, often spherical or crystal shaped.<\/p>\n<p><strong>Beading<\/strong> is ornamenting an item or fabric with ion with beads. Also called beadwork.<\/p>\n<p><strong>Beading pins<\/strong> are straight pins with enlarged heads, used for securing beads to a surface.<\/p>\n<p><strong>Bias <\/strong>is the stretchiest part of the fabric. The true bias is 45 degrees (diagonally) from straight of grain (selvedge).<\/p>\n<p><strong>Bias Bindings\/Tapes <\/strong>are strips of fabric cut on the bias and then used to bind and hide raw edges of the main project. Bias binding is usually folded with long edges to the middle.<\/p>\n<p><strong>Bible Paper <\/strong>or <strong>India Paper <\/strong>is very thin printing paper, originally made specifically for bibles and prayer books but now also used for other commercial purposes where many pages are required with an overall low volume.<\/p>\n<p><strong>Binding<\/strong> is attaching printed materials between covers, as in a book.<\/p>\n<p><strong>Blanket Stitch<\/strong> is used to neaten the edge of buttonholes and fabrics, blanket stitch is formed by stitching from the front to the back of work and looping the thread around the needle so that a line of thread is on the edge. Can be done by machine or hand.<\/p>\n<p><strong>Bleed<\/strong> is, in printing or painting, a feathery effect caused by ink or paint spreading from the image into the paper.<\/p>\n<p><strong>Blending<\/strong> is a soft, gradual transition from one color or tone to another.<\/p>\n<p><strong>Blender Pen<\/strong> is a felt-tip marker filled with a clear solvent, used to soften or blend colors on a surface. There is a water-based version used for blending water-soluble paints and inks.<\/p>\n<p><strong>Blind<\/strong> is a single fabric panel with a fixed heading, which pulls up from the bottom.<\/p>\n<p><strong id=\"blindHemStitch\">Blind Hem Stitch <\/strong>is the aim to hem without any visible stitching. This is achieved by taking up just one or two fibers from the garment fabric and more from the hem allowance. Machine blind hemming may leave a ladder-like stitch on the right side, but is virtually invisible if a good thread match is used. Machine blind hemming stitches a straight row in hem allowance, and then a catch stitch into garment every two to three stitches. Also known as Catch Stitch.<\/p>\n<p><strong>Block<\/strong> is a quilting term referring to the individual unit used in a quilt top.<\/p>\n<p><strong>Blockprint and Blockprinting<\/strong> is a relief print made from wood blocks. Oldest of all the relief processes, this was the universal means of illustrating books and magazines in the nineteenth century.<\/p>\n<p><strong>Blotting<\/strong> is gently pressing a brush against a paper towel to remove excess moisture.<\/p>\n<p><strong>Blowpipe<\/strong> is used in glassblowing and other crafts, e.g. to move ink about on the surface of a liquid before transferring to cloth or paper.<\/p>\n<p><strong>Bobbin <\/strong>is a spool or reel that holds the lower thread in a sewing machine; this thread combines with top thread to form stitches on the fabric. The bobbin thread shows on the underside.<\/p>\n<p><strong>Bobbin Case<\/strong> is the unit holding the bobbin in place in a sewing machine.<\/p>\n<p><strong>Bobbin Embroidery <\/strong>are designs worked with the fabric positioned facedown with the specialty thread wound onto the bobbin. Use for threads that are too heavy or thick for the needle.<\/p>\n<p><strong>Bobbling <\/strong>or <strong>Pilling<\/strong> is the term used to describe the tiny fabric balls that occur after repeated wear. They can be removed with a fabric shaver. The better the quality of fabric, the less it will bobble.<\/p>\n<p><strong>Bodice <\/strong>is the part of the garment that fits the torso (running from shoulder to waist).<\/p>\n<p><strong>Bolt <\/strong>fabric is stored on a roll known as a bolt, with the right sides folded together lengthwise on the bolt.<\/p>\n<p><strong>Bonding <\/strong>is the joining of two fabrics with a bonding agent.<\/p>\n<p><strong>Boning <\/strong>is thin nylon, plastic or metal strips used to stiffen and shape close-fitting garments such as bodices.<\/p>\n<p><strong>Bookbinding <\/strong>is the craft of fastening loose leaves together to make a book.<\/p>\n<p><strong>Border Print <\/strong>is a fabric with a definite print or design along one selvedge to be used around the hem. Sari fabric frequently has a border print.<\/p>\n<p><strong>Box Pleats<\/strong> is formed by two pleats folded away from each other.<\/p>\n<p><strong>Bradawl <\/strong>is a tool used to punch or skewer holes into objects or materials.<\/p>\n<p><strong>Brads <\/strong>are paper fasteners with two prongs at the back. They are available in a range of sizes, colors and shapes.<\/p>\n<p><strong>Braid <\/strong>is a flat decorative trim.<\/p>\n<p><strong>Bone Folder <\/strong>or <strong>Burnisher<\/strong> is a flat piece of plastic or Teflon round at one end and pointed at the other. It is used for scoring and folding paper, and burnishing.<\/p>\n<p><strong>Brayer<\/strong> is a small rubber &#8220;rolling pin&#8221; used to smooth surfaces, flatten paper, or apply paints or inks.<\/p>\n<p><strong>Bristol board<\/strong> is a high quality heavy weight drawing paper, sometimes made with cotton fiber prepared or glued together, usually with a caliper thickness of 0.006&#8243; and up, used for many types of two-dimensional artwork.<\/p>\n<p><strong>Brush Marker <\/strong>is a water-based marking pen with a long, broad tip for coloring in stamp images, or for coloring directly onto the stamp.<\/p>\n<p><strong>Brushless Watercolor <\/strong>is the art of making watercolor pictures without using brushes. A rubber stamp is colored (with ink or pens) and then the stamp is lightly spritzed with water before the image is stamped.<\/p>\n<p><strong>Buffered Paper<\/strong> during manufacturing, a buffering agent such as calcium carbonate or magnesium bicarbonate can be added to paper to neutralize acid contaminants. Such papers have a pH of 8.5.<\/p>\n<p><strong>Bugle Bead<\/strong> is a tubular glass or plastic bead sewn onto clothing for decoration, or used for trimming and card making.<\/p>\n<p><strong>Bullion<\/strong> is a thick, twisted decorative fringe.<\/p>\n<p><strong>Burnish<\/strong> is to rub or polish to a smooth, glossy finish.<\/p>\n<p><strong>Bust Line <\/strong>is the horizontal line running across the back and around the fullest part of the bust. It&#8217;s important to get this measurement correct when sizing patterns.<\/p>\n<p><strong>Bust Point <\/strong>is marked on paper patterns where the fullest part of the bust should fit.<\/p>\n<p><strong>Button <\/strong>come in many different shapes, styles and colors. There are also many buttons that are made specifically for scrapbooking. They are thin, flat and can be attached with fibers, threads or adhesives.<\/p>\n<p><strong>Buttonhole <\/strong>is a bound slit in the fabric to allow buttons to pass through for fastening.<\/p>\n<p><strong>Buttonhole Stitch <\/strong>is a hand-stitch used to neaten and strengthen the raw edges of buttonholes. Resembles satin stitch. Most modern machines stitch buttonholes automatically.<\/p>\n<h2 id=\"goToC\" style=\"text-align: center;\"><strong>C<\/strong><\/h2>\n<p><strong>Caliper<\/strong> is a tool for measuring the distance between two opposing sides of an object or objects. In crafts, it is used to measure the thickness of paper, in thousandths of an inch.<\/p>\n<p><strong>Calligraphy<\/strong> is the art of creating beautiful or elegant handwriting.<\/p>\n<p><strong>Cameo<\/strong> is a piece of dimensional jewelry or decoration, which features a raised image of a person, animal or scene.<\/p>\n<p><strong>Capped Sleeve <\/strong>is a very short sleeve that does not extend below the under arm level.<\/p>\n<p><strong>Cardmaking <\/strong>is creating greetings cards by hand: this is now a popular hobby among those who seek to be creative and achieve a worthwhile result without this necessarily proving too demanding in terms of heavy workload, outlay or artistic skill (although cardmaking accommodates these highly creative people, also); and who wish to produce something a little different for a special occasion, to express affection for another; or work to their own advantage in planning a wedding, for example (hand-crafting their own invitations, favors and the rest as part of a complete stationery set). Some cardmakers form their own small businesses, making a sometimes-modest return on their creative efforts privately, at craft fairs and similar.<\/p>\n<p><strong>Card Sketch <\/strong>is a template used to create a greeting card.<\/p>\n<p><strong>Card Stock<\/strong> is a sturdy paper, available in a variety of weights, colors and textures.<\/p>\n<p><strong>Cased Heading <\/strong>is a channel at the curtain top, which enables you to thread a curtain rod through.<\/p>\n<p><strong>Casein<\/strong> is colored pigment with a milk-based binder, which can be applied opaque or as a thin glaze.<\/p>\n<p><strong>Casing <\/strong>is a channel created between two pieces of fabric by stitching above and below the required width to hold elastic, ribbon ties, a length of dowelling or a curtain rod.<\/p>\n<p><strong>Casting Resin<\/strong> is a clear, polyurethane liquid that hardens to a clear solid plastic when mixed with a chemical catalyst. It is used to embed objects in a molded shape, or to add a thick protective coating to a surface.<\/p>\n<p><strong>Catch Stitch <\/strong>See <a href=\"#blindHemStitch\">Blind Hem Stitch<\/a>.<\/p>\n<p><strong>Cello Bags <\/strong>are made from thin transparent material used to protect and display handmade cards.<\/p>\n<p><strong>Cellophane <\/strong>is a thin transparent material used as a moisture-proof wrapping.<\/p>\n<p><strong>Ceramics <\/strong>refers to all forms of clay, although modern use allows other non-metallic materials. Uses include making jewelry and ornaments.<\/p>\n<p><strong>Ceramic Paint<\/strong> is a solvent-based opaque color for crockery, glass, metal and other non-porous surfaces.<\/p>\n<p><strong>Chalk <\/strong>is acid-free chalk that is usually applied with an eye shadow-type applicator or cotton swab to add dimension to die cuts, torn edges and cards etc.<\/p>\n<p><strong>Chapbook <\/strong>is any small book.<\/p>\n<p><strong>Chemical Stability <\/strong>materials, which are chemically stable, are not easily decomposed or otherwise modified chemically which is desirable for use in preservation as it resists chemical degradation over time. Also known as archival quality.<\/p>\n<p><strong>Chinese Collar<\/strong> is a short unfolded stand-up collar, which starts at the neckline and stands vertically 2-3 cm (also known as a Mandarin collar).<\/p>\n<p><strong>Clapper <\/strong>is a wooden pressing aid, with angled sides to help press tailored garments as they&#8217;re sewn, providing crisp edges, points and curves.<\/p>\n<p><strong>Clay<\/strong> is a naturally occurring material, composed primarily of fine-grained minerals such as hydrated silicates of aluminum, which is malleable for sculpting and hardens when dried or fired.<\/p>\n<p><strong>Clean Finish<\/strong> is a term used to describe the way the raw edge is finished if not being stitched later: Stitch 6 mm from the edge and press to wrong side then stitch down.<\/p>\n<p><strong>Clear Rubber Stamps<\/strong> are supplied on a clear carrier sheet. This makes storing your stamps easy and lets you see the designs more clearly. The clear stamps cling to an acrylic block (supplied separately), so you can position them to your own taste. Spelling out words and phrases is easy using the alphabet sets, so you can really personalize your greetings when cardmaking. Clear stamps are made from photopolymer, which is hardened through exposure to UV light. You may find your stamps yellow if exposed to light over a period of time. This is natural reaction and will not affect the quality of the stamp.<\/p>\n<p><strong>Cleat <\/strong>is a two-pronged hook, which is fixed to one side of the window frame to secure the cords when a blind is pulled up.<\/p>\n<p><strong>Clip <\/strong>is a term used to trim inside curve to allow seams to lie flat. Clip seam allowance at a slight angle close to but not through the seam stitching.<\/p>\n<p><strong>Clip Art<\/strong> generally refers to simple, line-art or illustrations that can be used for a variety of decorative purposes. For an exhausting history of the term, visit Wikipedia.<\/p>\n<p><strong>Cloisonn\u00e9<\/strong> is decorative metal work in which metal filaments are fused to the surface of an object to outline a design that is then filled in with enamel paste.<\/p>\n<p><strong>Coiling <\/strong>is the process of rolling clay into strands, which are then wound into a variety of shapes.<\/p>\n<p><strong>Cold Pressed<\/strong> is a paper with slight surface texture produced by pressing the finished sheet between cold cylinders.<\/p>\n<p><strong>Collage<\/strong> is papers, found objects or other ephemera glued to a flat surface.<\/p>\n<p><strong>Color Wheel <\/strong>is a flat, circular chart with wedge-shaped segments of different colors, usually primary and intermediate hues. Related (or analogous) colors tend to be shown adjacent, with complementary colors shown opposite (and sometimes known as opposite colors). Helps show the artist or crafter how to mix primary colors to create new colors. Also used in house d\u00e9cor.<\/p>\n<p><strong>Collar Stand <\/strong>is a tailored shirt usually has a collar stand around the neck placed between the actual collar and the shirt. This stand raises the collar so its finished edge will fall smoothly back over the neck edge.<\/p>\n<p><strong>Complementary Colors <\/strong>are hues that lie opposite each other on the Color Wheel. Also known as Opposite Color or Contrasting Color.<\/p>\n<p><strong>Concertina <\/strong>is paper, card or other material repeatedly folded one way, then the other, to produce a 3D zigzag result.<\/p>\n<p><strong>Concertina Book <\/strong>is a continuous run of pages between covers, with concertina-like folding formats including pasting folded pages back-to-back.<\/p>\n<p><strong>Confetti <\/strong>is a collection of small pieces of colored paper or plastic, traditionally used at weddings. These can be stuck to cards or decorative crafts to give them a sense of celebration.<\/p>\n<p><strong>Conservation <\/strong>is the protection and wise use of natural resources to ensure long-term benefit and continuing availability to future generations. In craft, this is reflected by the use of recycled papers and similar resources.<\/p>\n<p><strong>Contrasting Color <\/strong>are hues that lies opposite each other on the Color Wheel. Also known as Opposite Color or Complementary Color.<\/p>\n<p><strong>Construction Paper<\/strong> is an economical, coarse and sturdy paper that comes in a variety of sizes and colors.<\/p>\n<p><strong>Contact Adhesives<\/strong> are used in strong bonds with high shear-resistance like laminates, such as bonding Formica to a wooden counter. Contact adhesives must be applied to both surfaces and allowed some time to dry before the two surfaces are pushed together. Some contact adhesives require as long as 24 hours to dry before the surfaces are to be held together. It is usually not necessary to apply pressure for a long time, so there is less need for clamps.<\/p>\n<p><strong>Contact Paper<\/strong> or <strong>Adhesive Vinyl<\/strong> is a sturdy, self-adhesive plastic film, sold in rolls or by the foot. There are many colors and patterns, but the clear version is excellent for laminating and protecting paper.<\/p>\n<p><strong id=\"cording\">Cording <\/strong>is a twisted rope used in piping or as a drawstring. Cording can be covered with bias fabric strips to make piping.<\/p>\n<p><strong>Corner Punch <\/strong>is used for cutting corner shapes.<\/p>\n<p><strong>Corner Rounder <\/strong>is used for rounding off corners.<\/p>\n<p><strong>Corrugated Card <\/strong>is strong cardstock typically made of three layers, with two smooth outer layers and a central inner layer compressed into a dense, corrugated structure.<\/p>\n<p><strong>Covered Button<\/strong> is a button covered with fabric; usually to match the garment.<\/p>\n<p><strong>Combination Rods<\/strong> is where two or three curtain tracks share one set of brackets. They&#8217;re used to give windows a layered look.<\/p>\n<p><strong>Contours <\/strong>are shaped pattern pieces cut on a curve, which helps garments fit better, such as contour waistbands.<\/p>\n<p><strong>Cornice <\/strong>is another name for a Pelmet.<\/p>\n<p><strong>Cottage Blind<\/strong> is a curtain, which fits the bottom half of a window but lets in the light at the top.<\/p>\n<p><strong>Crackle Finish<\/strong> is a three-step painting process that results in an aged, weathered appearance.<\/p>\n<p><strong>Craquelure<\/strong> is the pattern of fine cracks that appear in varnish over time. The effect can be imitated to give a surface an aged appearance.<\/p>\n<p><strong>Craft Knife<\/strong> is a short, sharp cutting blade mounted on a pen-like metal handle. Many types and sizes of blades and handles are available.<\/p>\n<p><strong>Crimper<\/strong> is a tool that operates much like a mangle or clothes wringer that wrinkles paper into a corrugated texture.<\/p>\n<p><strong>Crochet <\/strong>is needlework made by looping thread with a hooked needle, usually for ornaments, appliqu\u00e9s and fringes.<\/p>\n<p><strong>Crop<\/strong> is to trim away the unwanted parts of an image.<\/p>\n<p><strong>Cross Grain <\/strong>is cut at right angles to the grain line, across the grain. Border prints are usually cut this way.<\/p>\n<p><strong>Cross Stitch <\/strong>is two stitches that cross each other diagonally to form one stitch in the shape of a cross. Usually done by hand but nowadays some machines offer this as a stitch.<\/p>\n<p><strong>Crossways Fold <\/strong>is a width-ways fold of fabric, which accommodates wider pattern pieces.<\/p>\n<p><strong id=\"curvedSeam\">Curved Seam<\/strong> is a seam stitched by machine with two differently shaped edges that, when joined, shape the garment. Used at the bust, waist and hip areas. Also known as a Princess Seam.<\/p>\n<p><strong>Cut-running Pliers<\/strong> are used primarily in glass cutting, with curved jaws to ensure even pressure when achieving a curved edge to cut glass.<\/p>\n<p><strong>Cut Width<\/strong> is the width of fabric needed including seams and hems.<\/p>\n<p><strong>Cutting Line<\/strong> is found on paper patterns. This is the outermost dark line marked with the size.<\/p>\n<p><strong>Cutting Mats<\/strong> are self-healing cutting mats are used when using a craft knife to protect the surface you&#8217;re working on. They can also be used to tape stencils etc. down, to stop them from moving about while in use.<\/p>\n<h2 id=\"goToD\" style=\"text-align: center;\"><strong>D<\/strong><\/h2>\n<p><strong>Dart <\/strong>is a tapered fold in a garment\/pattern to allow for fullness, usually in the bust, waist and back, which helps to shape garments to body contours.<\/p>\n<p><strong>Dauber <\/strong>is a round, miniature stamp pad, which can be dabbed onto a stamp to apply ink.<\/p>\n<p><strong>Deckle Edges <\/strong>are the untrimmed feathered edge feature on a sheet of paper, technically the edge which is the result of sheets being torn when wet. Deckle-edged Scissors deliberately produce a fancy cut to edge items like invitations or announcements.<\/p>\n<p><strong>Decorative-Edge Scissors <\/strong>are scissors with patterned blades for cutting paper or fabric.<\/p>\n<p><strong>Decoupage<\/strong> is the Victorian craft of cutting out images or motifs from paper, gluing them to a surface, and covering them with a protective coating such as varnish.<\/p>\n<p><strong>Debossing <\/strong>is the opposite of embossing; the design is indented in to the paper or material.<\/p>\n<p><strong>Density<\/strong> is the number of stitches used in a particular area.<\/p>\n<p><strong>Die<\/strong> is a device used for cutting out, forming, or stamping material.<\/p>\n<p><strong>Die Cut<\/strong> is a method for punching out shapes from paper or fabric, by using a die.<\/p>\n<p><strong>Dimensional Paint<\/strong> is thick acrylic paint traditionally used on fabric but sticks well to most surfaces. It usually comes in squeeze bottles and is available in many colors and styles, including glitter and glow-in-the-dark. Also Known As: fabric paint, puffy paint or foam paint.<\/p>\n<p><strong>Direct Inking Method <\/strong>is when ink is applied directly to paper using the surface of the inkpad.<\/p>\n<p><strong>Directional Stitching <\/strong>1. All sewing lines follow the direction of the fabric grain &#8211; also known as stroking the cat (to find the direction of the grain, run finger along cut edge and stitch in direction in which fibers curl smoothly). 2. In dressmaking, directional stitching refers to stitching every seam in the same direction, i.e.: all seams waist to hem in order to prevent seams puckering or stretching. 3. On a sewing machine, this refers to multi-directional stitching including side to side (not just forwards and backwards). <strong>TIP:<\/strong> Some commercial patterns print directional arrows for stay stitching &#8211; follow these where applicable to avoid unwanted stretching.<\/p>\n<p><strong>Distressing <\/strong>is the activity of making an item appear older and more worn, this is a popular design style giving a rustic, one-off, vintage look. Can be applied to a variety of surfaces such as wood, glass, metal, plastic and paint. There are a number of methods, by which the finish is intentionally destroyed or manipulated to look less than perfect, such as sanding, crumpling, inking, tearing and so on.<\/p>\n<p><strong>Dolman Sleeve <\/strong>is an extension of the bodice and can be loose or close fitting (also known as Kimono sleeve) although dolman sleeves tend to be longer and closer fitting whilst Kimono sleeves tend to have a wide square look with a looser fit.<\/p>\n<p><strong>Doodling<\/strong> is a method of embellishing by using pens or brushes to create swirls and decorative shapes traditionally done freehand but templates and stencils are increasingly available to assist those less certain of their artistic abilities! Particularly popular in scrapbooking.<\/p>\n<p><strong>Double Hem <\/strong>is folding the fabric over twice in equal amounts &#8211; 5 cm double hems need 10 cm of fabric.<\/p>\n<p><strong>Double Sided Tape <\/strong>can either come flat like normal sticky tape or as foam for 3D work. They&#8217;re used to secure papers and non-adhesive embellishments down to your chosen surface.<\/p>\n<p><strong>Dough Craft <\/strong>is the art of sculpting ornaments and other models from dough, allowing these to dry and harden.<\/p>\n<p><strong>Dowelling<\/strong> is a circular length of wood\/plastic attached to the back of a blind to keep the fabric flat.<\/p>\n<p><strong>Dry Brushing<\/strong> is applying chalk or paint to a brush or sponge and removing most of it by wiping\/dabbing it on a piece of paper or rag before using it. This prevents the paint from bleeding under the edges of a stencil, and chalk from looking to dark.<\/p>\n<p><strong>Dry Embossing<\/strong> or <strong>Relief Embossing<\/strong> is achieving a raised image on paper by placing the paper over a stencil, and rubbing with a stylus or using embossing folders.<\/p>\n<p><strong>Drying Adhesives <\/strong>are one of two types of adhesives that harden by drying: <em>solvent-based adhesives<\/em> and <em>polymer dispersion adhesives<\/em>, also known as <em>emulsion adhesives<\/em>.<\/p>\n<p>Solvent-based adhesives are a mixture of ingredients, usually polymers, dissolved in a solvent. White glue, contact adhesives and rubber cements are members of the <em>drying adhesive<\/em> family. As the solvent evaporates, the adhesive hardens. Depending on the chemical composition of the adhesive, they will adhere to different materials to greater or lesser degrees.<\/p>\n<p>Polymer dispersion adhesives are milky-white dispersions often based on polyvinyl acetate. They are used extensively in the woodworking and packaging industries. They are also used with fabrics and fabric-based components.<\/p>\n<p><strong>Dye Ink <\/strong>is water-based ink found in basic ink pads.<\/p>\n<h2 id=\"goToE\" style=\"text-align: center;\"><strong>E<\/strong><\/h2>\n<p><strong>Ease<\/strong> is the amount of excess provided for ease of movement in a garment. There is often wearing ease AND designer ease. Wearing ease is calculated to allow garments to move with the body etc. Designer ease is the style element and varies according to the designer\u2019s wishes.<\/p>\n<p><strong>Ease Stitch <\/strong>is simply a row of slightly longer than usual stitches just within seam allowance. It is used to make a larger or curved piece of fabric fit on to another by evenly pulling in the extra fabric without making any gathers or tucks in the larger piece of fabric.<\/p>\n<p><strong>Edge Punch <\/strong>is a device for applying an attractive edge to card or paper by repetitive punching of a uniform decorative pattern.<\/p>\n<p><strong>Edge Stitching <\/strong>is a row of stitching on the edge of a garment, usually about 2-3 mm from edge.<\/p>\n<p><strong>Embedding<\/strong> is a process whereby an object is placed inside another. Used in soap-making, candle-making and others.<\/p>\n<p><strong>Embellish <\/strong>is an addition of decorative stitching, appliqu\u00e9 and trims to a sewing project or garment.<\/p>\n<p><strong>Embellishment<\/strong> is an addition to decorate a handmade card or scrapbook page, e.g. toppers, jewels, buttons, or just about anything small and decorative.<\/p>\n<p><strong>Emblem <\/strong>is an embroidered design or motif with a neatened edge.<\/p>\n<p><strong>Embossed Paper <\/strong>is paper on which a raised or depressed design has been produced by pressure, generally from an engraved or otherwise patterned image.<\/p>\n<p><strong>Embossing <\/strong>is a technique used in stamping to create a shiny raised image using embossing inkpads, powders and pastes.<\/p>\n<p><strong>Embossing Gun<\/strong> or <strong>Heat Tool<\/strong> is a heating tool that directs hot air to a specific area. The hot air melts embossing powder, creating a slightly raised surface on the design.<\/p>\n<p><strong>Embossing Ink <\/strong>is a thick, slow-drying ink used for heat embossing, such as Versamark. It can be either clear or have a light pastel tint.<\/p>\n<p><strong>Embossing Pad<\/strong> can be used for both embossing and chalking techniques in stamping. Being slightly tinted so you can see where you&#8217;re stamping, these pads allow for you to add color of your choice over the top.<\/p>\n<p><strong>Embossing Paste <\/strong>is a paste used in conjunction with brass stencils to create a 3D image of the stencil design. Can be colored when dry or alternatively iridescent powders or acrylics may be mixed with the wet paste to produce unusual and beautiful effects.<\/p>\n<p><strong>Embossing Powder<\/strong> is a quick-melting, colored powder used to create a raised design in rubber-stamping. It is sprinkled on a wet, inked design, and then heated with a hot-air embossing gun, which bonds the powder to the surface. Available in many colors and granulations.<\/p>\n<p><strong>Embossing Tinsel <\/strong>is embossing powder, which contains metallic tinsel type confetti or particles<\/p>\n<p><strong>Embroidery <\/strong>is decorative stitches used to create a pattern on fabric.<\/p>\n<p><strong>Encaustic Painting<\/strong> or <strong>Hot Wax Painting<\/strong> is using heated beeswax infused with colored pigments. The resulting paste is then applied to a surface such as wood or canvas, where it can be sculpted with metal tools, brushes and heating tools. Other materials can be layered in the wax for a collage design.<\/p>\n<p><strong>Engraving <\/strong>is the practice of incising a design on to a surface, by cutting grooves into it.<\/p>\n<p><strong>Entredeux <\/strong>is a French word for \u2018between two\u2019 \u2013 this is a lacy trim or stitch that has heavily embroidered holes. Entredeux tape is used in between two fabric pieces to provide a decorative joining piece. Entredeux stitch can be made using a wing needle, which leaves holes as it stitches.<\/p>\n<p><strong>Envelope Curtains <\/strong>are static and don\u2019t pull back and the bottom inside corners are pinned back to let light in.<\/p>\n<p><strong>Ephemera<\/strong> is anything short-lived. In crafting, it means paper materials that were created for a single practical purpose, with no thought that they would be saved or preserved. Artists may use ephemera, such as vintage postcards, stamps, advertising, or other illustrated material, in their collages or other artwork.<\/p>\n<p><strong>Epoxy<\/strong> is an adhesive composed of two liquids, a resin and a hardener, that when mixed together, harden to form a strong bond. Epoxy is suitable for bonding porous and non-porous materials.<\/p>\n<p><strong>Exemplar<\/strong> is something that serves as a model to be copied. In crafting, an exemplar is most often an alphabet in a decorative lettering style.<\/p>\n<p><strong>Extender<\/strong> or <strong>Retarder<\/strong> is a product added to paint to slow its drying time or vary its transparency.<\/p>\n<p><strong>Eyelets<\/strong> are fasteners with holes in the middle that once attached to paper, card or fabric can have threads etc. passed through the middle. They need to be secured to your chosen surface with an eyelet setting tool, such as an Eyelet Punch or Eyelet Setter, or other similar metals tools for applying eyelets.<\/p>\n<h2 id=\"goToF\" style=\"text-align: center;\"><strong>F<\/strong><\/h2>\n<p><strong>Fabric Ink<\/strong> is permanent ink made specifically for stamping on fabrics.<\/p>\n<p><strong>Fabric Markers<\/strong> is similar to regular markers. You can use these markers to make designs on fabric. Once heat set, it makes a permanent design and is machine washable.<\/p>\n<p><strong>Fabric Paint<\/strong> is permanent paint made specifically for painting on fabric.<\/p>\n<p><strong>Face<\/strong> is the outside or \u2018right\u2019 side of a fabric, the side you see when the garment is finished.<\/p>\n<p><strong>Facing<\/strong> is a garment section that is turned to the inside to hide raw edges of seams without hems, such as necklines, front edges, armholes.<\/p>\n<p><strong>Fat Quarter<\/strong> is originally a quilting term but also used for wearable art. Fat Quarters are cut differently and measure a \u2018squared\u2019 \u00bc yard of fabric (18 x 22\u201d) rather than the usual long cut across the width \u00bc yard (approx. 9 x 45\u201d).<\/p>\n<p><strong>Faux Finish<\/strong> is a decorative painting that imitates the look of a natural material such as marble, wood or yak hide.<\/p>\n<p><strong>Feather Art<\/strong> is using colorful birds\u2019 feathers to decorate arts and crafts by cutting and gluing.<\/p>\n<p><strong>Feather Stitch<\/strong> is a machine stitch used to join non-fraying pieces of fabrics to each other.<\/p>\n<p><strong>Feed Dogs<\/strong> are the teeth under the throat plate on a sewing machine that go up and down to move the fabric along whilst sewing.<\/p>\n<p><strong>Felt<\/strong> is a heavy, non-fraying, fabric generally made from wool with other manufactured fibers. The fibers are locked together in a process utilizing heat, moisture, and pressure to form a compact material.<\/p>\n<p><strong>Felting<\/strong> is the process of transforming wool into a dense cloth by bonding and shrinking the fibers together.<\/p>\n<p><strong>Felt Side<\/strong> is the topside of the paper, usually providing the best printing results.<\/p>\n<p><strong>Festoon Blind<\/strong> is a blind that is ruched from top to bottom.<\/p>\n<p><strong>Fiber<\/strong> is a natural or synthetic filament, as of cotton or nylon, capable of being spun into yarn or trim.<\/p>\n<p><strong>Fill Stitch<\/strong> is a group of running stitches, which are used to cover an area of fabric. Embroideries use fill stitches to create texture and shading.<\/p>\n<p><strong>Findings<\/strong> is a term that originates from jewelry making to describe the pieces of metal \u2013 such as headpins, clasps and connectors &#8211; used to complete items such as necklaces or bracelets. Findings can also be used with card making, for example as an alternative way of fixing charms.<\/p>\n<p><strong>Finger Pressing<\/strong> is used on small areas of fabric, simply use your fingers to flatten the seams open.<\/p>\n<p><strong>Finial<\/strong> is a decorative end for a curtain pole.<\/p>\n<p><strong>Finish<\/strong> is the way in which an item&#8217;s surface is finished off. Finishes range from rough to smooth, glossy to matt.<\/p>\n<p><strong>Finished Width<\/strong> is the actual width after the treatment is finished and all allowances have been used.<\/p>\n<p><strong>Finishing<\/strong> is the term used to finish off the edge of garments, such as neatening seam allowances, removing excess stabilizers etc.<\/p>\n<p><strong>First Generation Stamping<\/strong> is the first impression made with a stamp after inking.<\/p>\n<p><strong>Fix Stitch<\/strong> or <strong>Lock Stitch<\/strong> are small stitches on the spot that are done at the start and end of a seam to stop it unraveling.<\/p>\n<p><strong>Fixative<\/strong> is a sprayed-on sealer, like lacquer, used over pastels, charcoal and watercolors to prevent smudging.<\/p>\n<p><strong>Flagging<\/strong> happens to fabric that has been hooped incorrectly which causes an up and down motion resulting in thread birdnesting and does not allow stitches to form correctly.<\/p>\n<p><strong>Flat-felled Seam<\/strong> is a very durable seam created by sewing the wrong sides of the fabric together and then trimming one of the seams and turning the other seam allowance under and stitching over the trimmed seam. Good for jeans and reinforced seams.<\/p>\n<p><strong>Flat-nosed Pliers<\/strong> are pliers with flat, tapered jaws to make twisting and curling easy, particularly wire. Also available with smooth jaws to avoid marking the wire.<\/p>\n<p><strong>Floats<\/strong> are long satin stitches that lay on the top of a design.<\/p>\n<p><strong>Floral Arts \/ Flowercraft<\/strong> is the art of producing decorative designs and displays by arranging flowers and related items.<\/p>\n<p><strong>Flower Pressing<\/strong> collect your flowers, stems, seed pods etc., place them in the flower press and soon you have your pressed flower ready to make all sorts of things such as pictures, decorating cards and writing paper.<\/p>\n<p><strong>Flush Cutters<\/strong> are sharp wire cutters that leave a clean cut, requiring no filing.<\/p>\n<p><strong>Foam Core or Foam Board<\/strong> is a stiff, resilient and lightweight board of polystyrene foam laminated with paper on both of its sides. It is manufactured in several thicknesses (3\/16&#8243; is most common) and many colors.<\/p>\n<p><strong>Foil <\/strong>or <strong>Metal Sheet) <\/strong>is typically used for embossing, foil is available in many different colors, although the most popular are gold, silver &amp; copper.<\/p>\n<p><strong>Foil Stamp<\/strong> is foil made of metal or similar available in various colors, sometimes embossed; (2) method of printing that releases foil from its backing when stamped with a heated die. Also known as hot foil stamp or block print.<\/p>\n<p><strong>Fold Line<\/strong> indicates that a paper pattern piece needs to be placed on the fold of the fabric so that two identical halves are cut as one, thus avoiding center seams.<\/p>\n<p><strong>Found Objects<\/strong> are common items that an artist or crafter collects in daily life for using in craft projects.<\/p>\n<p><strong>Frame<\/strong> is the holding device for an embroidery hoop.<\/p>\n<p><strong>Free Motion <\/strong>is embroidery that is done free hand by lowering the feed dogs on the sewing machine, so that the work can be moved in any direction at any speed. Usually worked with the fabric in a hoop and using a darning or embroidery foot. Stitch length is determined by how quickly the work is moved, quickly for long stitches, slowly for small stitches.<\/p>\n<p><strong>French Seam<\/strong> is a seam finish that encloses the raw edges so that the reverse side is neat. It is very useful for transparent fabrics or unlined curtains, jackets etc. where the reverse might be seen. To create, stitch a 1 cm seam with WRONG sides together. Trim to 3mm, turn through and press with seam on fold and RIGHT sides together. Stitch again taking 6mm seam. Press again.<\/p>\n<p><strong>Frill<\/strong> is a longer length of fabric gathered or pleated onto an edge for decoration.<\/p>\n<p><strong>Frog Fastening <\/strong>is a narrow fabric tube which forms a loop to fasten with a round button. Also know as a \u2018Rouleau Loop\u2019.<\/p>\n<p><strong>Fullness Ratio<\/strong> is the ratio of fabric width to the width of the window. Curtains are usually at least twice the window width.<\/p>\n<p><strong>Fused Glass<\/strong> is a decorative glass created by stacking thin sheets of glass and fusing them together in a kiln (1100 degrees to 1500 degrees).<\/p>\n<p><strong>Fusible <\/strong>is the term used to describe a fine mist of adhesive on fabric or interfacings that when pressed with hot iron, sticks them to another fabric.<\/p>\n<p><strong>Fussy Cutting <\/strong>is anytime you use your scissors to cut out designs from printed paper, stamped images or computer printed images.<\/p>\n<p><strong>French Curve<\/strong> is a tool used for creating curves for pattern design.<\/p>\n<h2 id=\"goToG\" style=\"text-align: center;\"><strong>G<\/strong><\/h2>\n<p><strong>Gather<\/strong> is a technique for gathering longer lengths of fabric into a smaller length. Used to create fullness or allow several pieces of fabric of different lengths to fit together. This is done by stitching one or two rows of long basting stitch and leaving long threads at either end. If working on a sewing machine, pull up bobbin thread.<\/p>\n<p><strong>Gauge <\/strong>in wire or sheet metal, the measurement of its thickness. In fabric, the number of stitches and rows per square inch.<\/p>\n<p><strong>Gel Medium<\/strong> or <strong>Polymer Medium<\/strong> is a thick, colorless liquid, used as a paint additive, protective finish, or adhesive.<\/p>\n<p><strong>Gel Pens<\/strong> are gel inked ballpoint pens. They come in many different sizes and in a huge variety of colors. They are primarily used for thin patterns or writing, but can be used for coloring small areas in a specific color.<\/p>\n<p><strong>Gesso<\/strong> is a thick white fluid, made from chalk or plaster and glue. It is used to prepare surfaces for painting or gilding.<\/p>\n<p><strong>Gilding<\/strong> is applying a thin metallic foil, like gold leaf, to a surface. This usually requires an adhesive called size, which is applied and left to dry until it is tacky.<\/p>\n<p><strong>Gilding Glass Cutters\/Glass Nippers<\/strong> are used with mosaics or stained glass work, this tool cuts glass with a single-edged steel wheel.<\/p>\n<p><strong>Glassine<\/strong> is a smooth, semi-transparent paper.<\/p>\n<p><strong>Glaze<\/strong> is a transparent, diluted layer of paint used to accentuate textures or modify the overall color.<\/p>\n<p><strong>Glitter<\/strong> is tiny metal fragments available in a huge array of colors and thicknesses to add sine and sparkle to crafting projects.<\/p>\n<p><strong>Glitter Glue<\/strong> is a wet glue that comes pre-mixed with glitter particles, and can be directly applied to add highlights to projects, or painted onto card, acetate or funky foam to make it glittery. Glitter glue is available in lots of different colors, and in two types: standard glitter glue contains identifiable pieces of glitter; pearlescent glue contains very fine particles that give it a shimmery finish.<\/p>\n<p><strong>Gloss<\/strong> is a reflective, shiny, surface. In crafting, it can be achieved through the choice of materials or the addition of glossy coatings such as varnish.<\/p>\n<p><strong>Glue Dots<\/strong> are extremely sticky round dots of glue used to hold on embellishments such as buttons or heavy metal pieces. Also very useful in sticking things to papers and materials that are normally stick-resistant.<\/p>\n<p><strong>Glue Stick<\/strong> is a round stick of solid glue which is used to adhere embellishments to scrapbook pages, cards, tags, etc.<\/p>\n<p><strong>Glue Gun<\/strong> is a very handy electrical appliance for those who wish to apply embellishments. You need to insert glue sticks, which the glue gun heats. You can then apply the glue in intricate places. To use the gun, you just push a glue stick into the glue stick feeder and squeeze the trigger. As you squeeze, the glue stick will travel down the barrel where it will melt and flow out of the nozzle.<\/p>\n<p><strong>Godets<\/strong> are usually triangularly shaped fabric inserts added to increase the swing and fullness of a skirt or dress.<\/p>\n<p><strong>Gold leaf<\/strong> is an extremely thin sheet of gold (or composite metal) used for gilding. It is commonly applied to a surface with a liquid adhesive called gold size.<\/p>\n<p><strong>Gold leaf wax <\/strong>is non-tarnishing metallic dust suspended in a soft paste wax. Apply with a finger, brush or cloth to any surface and buff with a soft cloth. It can be thinned with turpentine.<\/p>\n<p><strong>Gouache<\/strong> is an opaque, water-soluble paint usually made from Gum Arabic and pigments.<\/p>\n<p><strong>Grade Seam<\/strong> eliminates bulk from the seams; trim the outer seam allowances to 6 mm and the under seam allowance to a scant 3 mm.<\/p>\n<p><strong>Grain Line<\/strong> is the direction in which the threads are woven. The straight grain runs parallel to the fabric selvedge. Crosswise grain runs at right angles to the selvedge (across the width).<\/p>\n<p><strong>Grammage<\/strong> is the term used to denote the weight of paper or board; the measurement used is the weight of a single sheet of one square meter, expressed in grams per square meter (g\/m2).<\/p>\n<p><strong>Grommet<\/strong> is a ring or eyelet of metal, often used to reinforce a hole.<\/p>\n<p><strong>Grout<\/strong> is cement-type material used between tiles on mosaics (and other projects) to strengthen the hold, increasing the permanence of the finished product. Available in a variety of colors.<\/p>\n<p><strong>Grout Sealer<\/strong> is a transparent liquid applied to a finished mosaic to protect it.<\/p>\n<p><strong>Grozing Pliers<\/strong> are pliers with rough, arched jaws, used to cut and trim glass.<\/p>\n<p><strong>Guide Stitches<\/strong> are stitches used to align embroideries when using several hoops or that assist in fabric placement for appliqu\u00e9.<\/p>\n<p><strong>Guillotine<\/strong> is a cutter used to cut the edge of paper in a straight line or decorative design. It enables you to cut large areas precisely and in seconds.<\/p>\n<p><strong>Gum Arabic<\/strong> is a water-soluble, glossy, pigmentable medium derived from the Acacia tree. It improves the bonding qualities of inks and watercolors.<\/p>\n<p><strong>Gusset<\/strong> is a piece of fabric sewn into the seam line to provide fullness.<\/p>\n<p><strong>Gutting<\/strong> is a scrapbooking term for removing to save the unseen piece of card or paper covered by another part of the layout.<\/p>\n<h2 id=\"goToH\" style=\"text-align: center;\"><strong>H<\/strong><\/h2>\n<p><strong>Halo and Loop <\/strong>is a method of mounting stamps using Velcro instead of wood.<\/p>\n<p><strong>Handmade Paper<\/strong> is paper made by spreading wet wood or paper pulp on a porous screen in a mold, pressing and drying the resulting mat.<\/p>\n<p><strong>Hand Building <\/strong>is a term to identify any type of manual manipulation of clay. Coil and slab techniques are among the most common.<\/p>\n<p><strong>Hand Milling <\/strong>is the process of creating a harder soap by taking a bar of handmade soap and grating, melting and remolding it.<\/p>\n<p><strong>Handle <\/strong>is a term used to describe how the fabric feels in the hand. Use of interfacing should not change the \u2018handle\u2019.<\/p>\n<p><strong>Header<\/strong> is the extra fabric above a cased heading which forms a frill.<\/p>\n<p><strong>Header Tape <\/strong>is a wide woven tape that has slots for curtains hooks and includes the gathering cords. There are many different types of header tape which pull up to make perfect pleats, goblet pleats etc.<\/p>\n<p><strong>Heat Embossing <\/strong>is an embossing technique using a stamp, embossing or pigment ink pad, embossing powder, and a heat source.<\/p>\n<p><strong>Heat Gun <\/strong>is a tool that produces intense hot air allowing for projects to be heated. Mainly known for use with embossing techniques.<\/p>\n<p><strong>Hem<\/strong> is the fabric which is turned up on the edge of the garment to provide a neat finished edge.<\/p>\n<p><strong>Hem Allowance <\/strong>is the amount of fabric allowed for the hemming.<\/p>\n<p><strong>Hemp Cord <\/strong>is used primarily for macram\u00e9, this cord (created from hemp) resists fraying and holds knots well.<\/p>\n<p><strong>High Bust<\/strong> is the measurement taken above the full bust measurement under the arms and around the back and chest. If this measurement is more than 5 cm larger than the full bust measurement then dress, jacket and top pattern size should be selected by the high bust size and alterations made to fit the fuller cup.<\/p>\n<p><strong>Highlight<\/strong> is to use a lighter shade of paint in a particular area.<\/p>\n<p><strong>Hip Point<\/strong> is the point on the pattern where the hip comes. This is usually 18 \u2013 23 cm from the waist.<\/p>\n<p><strong>Holographic <\/strong>is the pattern produced on a photosensitive medium that has been exposed by holography and then photographically developed. Holographic card is widely used in crafts.<\/p>\n<p><strong>Hong Kong Seam <\/strong>is a seam finishing method of binding the seam allowance to encase raw edges. On lightweight fabrics, both seam allowances can be pressed to one side and then bound together. On medium and heavier weight fabrics, press seam open and bind each seam allowance separately.<\/p>\n<p><strong>Hook and Eye<\/strong> is a two-part closure that consists of a hook and a loop.<\/p>\n<p><strong>Hoop<\/strong> is made up of two rings, one slightly smaller than the other, that fit together to clamp fabric tightly in place. Used for embroidery and free motion stitching.<\/p>\n<p><strong>Hot Adhesives<\/strong>, also known as <em>hot melt adhesives<\/em>, are thermoplastics applied in molten form, which solidify on cooling to form strong bonds between a wide range of materials. Ethylene-vinyl acetate-based hot-melts are particularly popular for crafts because of their ease of use and the wide range of common materials they can join. A glue gun is one method of applying hot adhesives.<\/p>\n<p><strong>Hot Pressed<\/strong> is a paper surface that is smooth, produced by pressing a finished sheet through hot cylinders.<\/p>\n<p><strong>Hue<\/strong> is a color or shade, expressed particularly by its position on the color wheel.<\/p>\n<p><strong>Huffing<\/strong> is blowing on an inked stamp to keep it moist before stamping. This process can extend the ink to allow a second impression without re-inking.<\/p>\n<h2 id=\"goToI\" style=\"text-align: center;\"><strong>I<\/strong><\/h2>\n<p><strong>In-seam <\/strong>is the inside leg seam that runs from crotch to hem.<\/p>\n<p><strong>Index <\/strong>is the image that is on top of a stamp.<\/p>\n<p><strong>Ink<\/strong> is a liquid containing various pigments and\/or dyes used for coloring a surface to produce an image, text, or design. Ink is used for drawing and\/or writing with a pen, brush or quill. Thicker inks, in paste form, are used extensively in letterpress and lithographic printing. Ink is a complex medium, comprising solvents, pigments, dyes, resins, lubricants, solubilizers, surfactants, particulate matter, fluorescers, and other materials. The components of inks serve many purposes; the ink\u2019s carrier, colorants, and other additives are used to control flow, thickness, and appearance of the ink when dry.<\/p>\n<p><strong>Intaglio<\/strong> is a sunken-relief, otherwise known as intaglio or sometimes hollow-relief, is a method of sculpting which entails carving or etching an image into the surface of a flat piece of stone, metal, glass or wood. This method creates a relief, which is effectively a negative of the usual bas-relief type. This method can be achieved with rubber stamps by stamping into a soft surface such polymer clay, UTEE or gently heated foam.<\/p>\n<p><strong>Interfacing<\/strong> is a fine fabric used between layers of fabric in a garment to provide stability and shape. Used in cuffs, collars, plackets, waist bands. It comes in two types, sew in or iron-on (fusible) and in different weights and colors. The aim is to use a weight that will add stability but not change the \u2018handle\u2019 of the fabric.<\/p>\n<p><strong>Interlining<\/strong> is another fabric layer, usually cut and sewn as one with main fabric, to provide support to main fabric. Also known as Underlining.<\/p>\n<p><strong>Inverted Pleat<\/strong> is two pleats folded towards each other and butting up together at the top. Sometimes the resulting inverted pleat has a contrast fabric under the folds.<\/p>\n<p><strong>Iridescent<\/strong> means varying in color when seen in different lights or from different angles.<\/p>\n<p><strong>Iris Folding<\/strong> is the card making technique using folded strips of paper to fill an aperture in an overlapping spiral. It is called iris folding because the center of the design resembles the iris of a camera or eye. Strips of paper are folded &amp; laid over a pattern.<\/p>\n<h2 id=\"goToJ\" style=\"text-align: center;\"><strong>J<\/strong><\/h2>\n<p><strong>Jabot <\/strong>is the tail section of Swags and Tails in window treatments.<\/p>\n<p><strong>Joss Paper<\/strong> is gold and silver paper burned by the Chinese in spiritual ceremonies.<\/p>\n<p><strong>Journal (Journaling) <\/strong>is writing on a scrapbooking layout describing the subject of the page, for instance the people or events in the photographs on the page. It can also be thoughts and sentiments about the layout.<\/p>\n<p><strong>Jumper<\/strong> is the name for a small plastic device for \u2018jumping\u2019 over thicker seams with the sewing machine such as jean hems. Also known as a Hump Jumper.<\/p>\n<p><strong>Jump Stitch<\/strong> is the long stitch or thread between embroidery stitches in machine embroidery, formed when the stitching moves to another area of the design before continuing. The jump stitches should be cut away once the design is stitched out.<\/p>\n<h2 id=\"goToK\" style=\"text-align: center;\"><strong>K<\/strong><\/h2>\n<p><strong>Kick Pleats <\/strong>are similar to box pleats but folds are further apart and don\u2019t butt together at the back.<\/p>\n<p><strong>Kimono <\/strong>is a term used to describe a traditional Japanese dress. The basic kimono is a square-cut body with square-cut sleeves and has remained much the same since the 10th century.<\/p>\n<p><strong>Kimono Sleeve<\/strong> is an extension of the bodice and can be loose or close fitting (also known as Dolman sleeve). Kimono sleeves tend to have a wide square look with a looser fitting.<\/p>\n<p><strong>Kinetic Cards<\/strong> is the name applied to any three-dimensional or movable card, which covers pop-up cards, and cards with, flaps, pull-tabs, pop-outs, pull-downs, and more, each of which performs in a different manner.<\/p>\n<p><strong>Kneading<\/strong> is manipulating clay with the hand resulting in a uniform texture.<\/p>\n<p><strong>Knife Pleats<\/strong> is a row of folds all in the same direction.<\/p>\n<p><strong>Kraft Paper<\/strong> is strong and relatively coarse, Kraft paper is usually a brown color but can be bleached white. It is used for paper grocery bags, corrugated cardboard, large envelopes and other packaging.<\/p>\n<h2 id=\"goToL\" style=\"text-align: center;\"><strong>L<\/strong><\/h2>\n<p><strong>Laid Paper<\/strong> is paper with a grid texture and strong grain running in the direction of the sheet.<\/p>\n<p><strong>Lambrequin <\/strong>is a pelmet, which extends down the side of the window.<\/p>\n<p><strong>Laminator<\/strong> is a tool or machine that bonds a thin sheet of plastic to paper or fabric, creating a protective, glossy surface. They can also be used to apply foil to paper.<\/p>\n<p><strong>Layering <\/strong>or <strong>Matting<\/strong> is when you place either card or paper of increasing sizes around an image to create a frame.<\/p>\n<p><strong>Layout<\/strong> is the arrangement of heading, text, and artwork on a page.<\/p>\n<p><strong>Light Box <\/strong>or <strong>Light Table<\/strong> is a tool for viewing transparencies or for tracing images. It is a box containing a light source (usually sunlight fluorescent) and a translucent glass or plastic surface.<\/p>\n<p><strong>Lightfastness<\/strong> is the speed at which pigments in inks, paints or materials fade in strong light.<\/p>\n<p><strong>Lignin <\/strong>is a natural bonding agent in plants &#8211; while lignin isn&#8217;t an acid, it releases acids as it deteriorates. If you have paper that\u2019s acid free, it may still contain lignin and become acidic over time. When manufacturing scrapbooking papers the lignin is removed during processing so that the papers become safe.<\/p>\n<p><strong>Lining <\/strong>is used to finish the inside of a garment to hide seam construction, prevents \u2018see-through\u2019 and helps garments to hang better.<\/p>\n<p><strong>Lock Stitch<\/strong> or <strong>Fix Stitch<\/strong> and <strong>Loop stitch<\/strong> are the small stitches on the spot that are done at the start and end of an embroidery or seam to stop it unraveling.<\/p>\n<p><strong>Loom State<\/strong> refers to fabric that is straight from the loom. Loom state cloth will shrink, and needs to be prewashed before using.<\/p>\n<p><strong>Loop Stitch<\/strong> See Lock Stitch.<\/p>\n<h2 id=\"goToM\" style=\"text-align: center;\"><strong>M<\/strong><\/h2>\n<p><strong>Machine Tacking<\/strong> is done by machine using the longest stitch length available to temporarily hold fabric in position before stitching permanently (see <a href=\"#basting\">Basting<\/a>).<\/p>\n<p><strong>Machine Embroidery<\/strong> is decorative stitching created by using in-built stitches on a sewing machine such as satin stitch and zigzag. Mid to top range machines have a number of embroidery stitches built-in. The term also denotes embroidered designs, motifs and pictures.<\/p>\n<p><strong>Macram\u00e9<\/strong> is a form of textile-making using knotting rather than weaving or knitting. Fibers are knotted into patterns to make decorations or embellishments.<\/p>\n<p><strong>Magic Motifs<\/strong> are double sided glue motifs for use with glitter or transfer foil.<\/p>\n<p><strong>Malachiteis<\/strong> is a green banded mineral that is usually cut into cabochons and beads as it is a fairly soft mineral measuring 3.5 \u2013 4 on the Mohs scale. It can be found worldwide but is mainly mined in the Urals and Israel.<\/p>\n<p><strong>Mandarin Collar<\/strong> is a short unfolded stand-up collar, which starts at the neckline and stands vertically 2-3 cm (also known as a Chinese collar).<\/p>\n<p><strong>Marble Paper<\/strong> is paper that has been marbled or marbleized, a process involving submerging the paper in a water solution containing non-soluble inks or paints (grated oil pastels will work, too) floating on the surface which stick to the paper in marble patterns when the paper is removed from the water.<\/p>\n<p><strong>Marbling<\/strong> paper marbling is a method of aqueous surface design, which can produce patterns similar to marble or other stone, hence the name. The patterns are the result of color floated on either plain water or a viscous solution known as size, and then carefully transferred to a sheet of paper (or other surfaces such as fabric). This decorative material has been used to cover a variety of surfaces for several centuries. It is often employed as a writing surface for calligraphy, and especially book covers and endpapers in bookbinding and stationery. Part of its appeal is that each print is a unique monoprint.<\/p>\n<p><strong>Marker<\/strong>, <strong>Marking Pen<\/strong> or <strong>Felt-Tipped Pen<\/strong> is a writing instrument that delivers ink through a porous felt tip.<\/p>\n<p><strong>Marking<\/strong> is temporary marks made on fabric to aid positioning of pockets, buttonholes and darts etc. Also used in embroidery to determine how to hoop fabric.<\/p>\n<p><strong>Mask<\/strong> is a paper cut-out of either a stamped image or a template stuck temporarily down to a project surface to hide the image behind, letting you carry on with your work without touching this image. The mask is then removed again at the end.<\/p>\n<p><strong>Masking Fluid<\/strong> is a latex liquid with added pigmentation for masking areas of work needing protection when color\/ink is applied.<\/p>\n<p><strong>Masking Tape<\/strong> is adhesive tape made of paper backed with a relatively weak adhesive. It is used often in painting, to protect unpainted areas.<\/p>\n<p><strong>Matte Finish<\/strong> or <strong>Flat finish<\/strong> is a surface or coating that is dull or non-glossy.<\/p>\n<p><strong>Matting<\/strong> is when you place either card or paper of increasing sizes around an image to create a frame. It visually separates the image from the background and is good for using colors to compliment the image.<\/p>\n<p><strong>Medium<\/strong> is the component of paint in which the pigment is dispersed.<\/p>\n<p><strong>Metafil<\/strong> is a needle with an elongated eye for use with metallic decorative threads.<\/p>\n<p><strong>Metal Embossing<\/strong> or <strong>Repoussage<\/strong> is creating a raised design on thin metal sheets by hammering or pressing from the reverse side.<\/p>\n<p><strong>Metal Scriber<\/strong> is a tool for marking lines on metal, or for embossing.<\/p>\n<p><strong>Metallic Paint<\/strong> is tiny metal flakes suspended in a translucent paint or other an aqueous binder. Metallic paint can be subject to tarnishing, so it should be coated with a protective gel medium.<\/p>\n<p><strong>Methyl Cellulose<\/strong> or <strong>Wallpaper Paste<\/strong> is a thick, spreadable adhesive, which dries clear. It is used for archival mounting and paper mach\u00e9.<\/p>\n<p><strong>Mineral Spirits<\/strong> is an inexpensive paint thinner, which cleans brushes, thins paint, cleans furniture, and removes wax often used as a substitute for turpentine.<\/p>\n<p><strong>Mitre<\/strong> is a method of neatly folding fabric or trim at corners.<\/p>\n<p><strong>Mitring<\/strong> is a way of folding the excess seam allowance to achieve a less bulky, sharp corner.<\/p>\n<p><strong>Mixed Media<\/strong> is the craft technique of using several different media, such as paint, paper, rubber stamps or inks on a single surface.<\/p>\n<p><strong>Mod Podge<\/strong>\u2122 is the Brand name for PVA (Polyvinyl Acetate, the base of white craft glue) gel medium, specially formulated for use in decoupaging.<\/p>\n<p><strong>Mod-Roc Plaster Bandage<\/strong> is a plaster and resin based, hard and lightweight plaster bandage which smoothes well &#8211; ideal for body casting, 3D work and scenery &#8211; after priming will take acrylic paints well for subsequent decoration.<\/p>\n<p><strong>Monograms<\/strong> are letters, usually initials, embroidered for decoration.<\/p>\n<p><strong>Montage<\/strong> is a collage made of photographs or illustrations.<\/p>\n<p><strong>Mosaic<\/strong> is an art medium in which small pieces of colored glass, stone, or ceramic tile called tessera are embedded in a background material such as plaster or mortar.<\/p>\n<p><strong>Motif<\/strong> is a distinctive and recurring form, shape, figure, appliqu\u00e9, etc., in a design, as in a painting or on clothing.<\/p>\n<p><strong>Mounting <\/strong>used to create dimension to your card by making several impressions of your image, saving the first impression as your base and cutting apart subsequent impressions for areas of the design you want to build up. Mounting or &#8220;layering&#8221; pieces can be done with double-sided foam tape or hot glue. If you want to mount a piece without giving it dimension use regular double-sided tape.<\/p>\n<p><strong>Mulberry Paper<\/strong> is Japanese Paper made from Kozo which is the fibers of the Mulberry Tree. The paper can be torn to create a feathered-effect edge.<\/p>\n<p><strong>Multigrids<\/strong> are stainless steel plates, each grid with a different design used for parchment crafts.<\/p>\n<p><strong>Mylar<\/strong> is transparent or opaque polyester film often used as a protective covering for photos and album pages.<\/p>\n<h2 id=\"goToN\" style=\"text-align: center;\"><strong>N<\/strong><\/h2>\n<p><strong>Nap<\/strong> or <strong>Pile<\/strong> describes fabrics with surface texture. Determine whether a fabric has nap by brushing the fabric in one direction to see whether it changes color or shade when brushed one way or the other. NB: It is sometimes hard to determine if the fabric is very light. If it is textured or has a one-way pattern, follow the \u2018with nap\u2019 layout which requires all pattern pieces to be placed in the same direction so the pile or nap will all run from top to bottom etc.<\/p>\n<p><strong>Needle Threader<\/strong> is a tool with a looped wire, which pulls the thread through the needle eye.<\/p>\n<p><strong>Nib<\/strong> is the tapered or sharpened writing tip of a pen or quill.<\/p>\n<p><strong>Notch<\/strong> There are two types of Notch in sewing: 1. Triangular or diamond shaped marks on the cutting lines of paper patterns used to match seams together at sides, back and front etc. 2. Triangular shapes cut OUT of outer curved seam allowances once a seam is stitched, so that when turned through the fabric will lie flat.<\/p>\n<p><strong>Notions <\/strong>is the American term used to describe haberdashery; frequently used on paper patterns.<\/p>\n<h2 id=\"goToO\" style=\"text-align: center;\"><strong>O<\/strong><\/h2>\n<p><strong>Opaque<\/strong> is a non-transparent or non-translucent surface or coating.<\/p>\n<p><strong>Opposite Colors <\/strong>are hues that lies opposite each other (i.e. that which it complements) on the Color Wheel. Also known as Complementary Color or Contrasting Color.<\/p>\n<p><strong>Overlock<\/strong> is an overcast stitch which encases the edge and helps neaten raw edges. Also known as \u2018serging.\u2019<\/p>\n<p><strong>Overlocker<\/strong> is a purpose-made sewing machine that overlocks fabric, cutting the edge and sewing in the same pass. Can be 3-8 threads and can be used for a variety of creative stitching as well as overlocking edges. Also known as Sergers.<\/p>\n<p><strong>Ox Gall Liquid<\/strong> is a transparent extender for watercolors, which improves flow with a pen or brush.<\/p>\n<h2 id=\"goToP\" style=\"text-align: center;\"><strong>P<\/strong><\/h2>\n<p><strong>Paper Mach\u00e9<\/strong> is a craft construction material consisting of small pieces of absorbent paper (like newsprint) stuck together with a wet paste like glue, starch, wheat paste or wallpaper paste. The crafted object becomes solid when the paste dries.<\/p>\n<p><strong>Paper Tole <\/strong>is the art of handcrafting three-dimensional pictures using layered elements from multiple, identical flat prints. The most intricate application of this technique involves layering and shaping the paper pieces to achieve depth and shadow.<\/p>\n<p><strong>Parchment<\/strong> or <strong>Vellum<\/strong> is a hard finished paper that resembles animal skin, used for documents, such as awards. A favorite of calligraphers because of its smooth, buttery texture.<\/p>\n<p><strong>Pastel<\/strong> is a chalk-like art medium in the form of a stick, made from powdered pigment and a binder. A fixative, like lacquer, must be applied to the finished artwork prevent smudging. The word pastel is also used to indicate a pale tint of a color.<\/p>\n<p><strong>Paste-up<\/strong> is assembling the individual elements of a final print layout.<\/p>\n<p><strong>Patina<\/strong> is a film, often blue\/green, that forms on copper and bronze as a result of the oxidation of the copper due to weathering. Various chemical treatments will induce colored patinas on new metal work, and it is often imitated in antiquing and painting techniques.<\/p>\n<p><strong>Pattern<\/strong> is the template needed to create an item. Commercial patterns provide tissue pieces.<\/p>\n<p><strong>Pattern Layout <\/strong>is a diagram found on commercial pattern instruction sheets which indicate how to lay out pattern pieces on the fabric.<\/p>\n<p><strong>Pattern Match<\/strong> describes the technique of matching patterns on right and left edges, for drapes etc. and is used when working with specifically patterned fabric, checks or plaids. Cut each piece on a single layer of fabric. Lay cut piece next to remaining fabric so that next section can be placed with pattern matching at key points (bust, hip etc.). Remember when cutting two of same pattern piece, the pattern piece should be flipped over for the second one to ensure a left and right.<\/p>\n<p><strong>Pelmet <\/strong>is a decorative way of concealing curtain tops and tracks. This is usually a flat panel, which can be painted or covered with fabric.<\/p>\n<p><strong>Pelmet Board <\/strong>is a horizontal wooden shelf from which a pelmet or valance is hung.<\/p>\n<p><strong>Peplum <\/strong>is a flared &#8216;skirt&#8217; attached to jacket or top at waist creating a fuller style at hem.<\/p>\n<p><strong>Peter Pan Collar<\/strong> is a small, flat round cornered collar without a stand. It is popular for women&#8217;s and children&#8217;s garments.<\/p>\n<p><strong>Petersham<\/strong> is a heavy-duty waist banding, usually black and reinforced with a line of stitching to prevent it folding or rolling when worn.<\/p>\n<p><strong>Pick Stitch<\/strong> is a decorative hand stitch used on collars, cuffs, front facings etc. An alternative to top-stitching.<\/p>\n<p><strong>Pile<\/strong> is the surface texture to fabric. Only some fabrics, like velvet, have a visible pile; when brushed it will look a different color. When cutting out, ensure all pattern pieces are laid in the same direction on the fabric so that the pile is going in its natural direction. (Also known as Nap).<\/p>\n<p><strong>Pilling <\/strong>or <strong>Bobbling<\/strong> is the term used to describe the tiny fabric balls that occur after repeated wear. They can be removed with a fabric shaver. The better the quality of fabric, the less it will pill.<\/p>\n<p><strong>Pintucks<\/strong> are raised very narrow tucks or pleats in fabric that add decorative detail.<\/p>\n<p><strong>Piping<\/strong> is a decorative cord with flange or plain cord which can be covered with bias binding and then sewn in seams to create a crisp neat edging. Used in dressmaking and soft furnishings. (See <a href=\"#cording\">cording<\/a>).<\/p>\n<p><strong>Pivot <\/strong>is a way of turning the fabric without losing the stitch position; leave the needle in the fabric, raise presser foot and turn fabric to new stitching position. Lower presser foot and continue.<\/p>\n<p><strong>Placket<\/strong> is an additional section of fabric that is added to openings such as neck, sleeve or cuff.<\/p>\n<p><strong>Plastron <\/strong>is a chest piece of interfacing that fills the hollow between shoulder and bust. The shape varies depending on the bust size. It is usually made from tailor&#8217;s canvas and interfacing.<\/p>\n<p><strong>Pleat <\/strong>is a fold in fabric that is inverted or folded outward to make tucks in the fabric. They reduce a wide amount of fabric to a narrow amount whilst adding fullness. Pleats can be left open, or partially sewn.<\/p>\n<p><strong>Ply<\/strong> is a single layer of paper.<\/p>\n<p><strong>Point Turner <\/strong>is a tool with a pointed end used to push out points and corners.<\/p>\n<p><strong>Polymer Clay<\/strong> is malleable modeling clay that is hardened by baking.<\/p>\n<p><strong>Polymer Medium<\/strong> is a protective acrylic liquid used as an adhesive for light- to middle-weight papers or as a varnish for decoupage. It is available in gloss and matte finishes.<\/p>\n<p><strong>Poppas<\/strong> or <strong>Snap Fasteners<\/strong> are fastenings with male and female parts that clip together to hold two fabric edges in place. They need to be hand sewn in place.<\/p>\n<p><strong>Pounce<\/strong>, <strong>Pouncing<\/strong> or <strong>Stippling<\/strong> is creating the effect of texture by lightly and randomly applying paint with a brush or sponge, allowing background color to show through. In calligraphy, pounce is a fine powder used to absorb grease from paper.<\/p>\n<p><strong>Pre-Shrinking <\/strong>it is advisable to pre-wash fabrics before making up into garments or furnishings to pre-shrink and wash out any treatments. Pre-washing can also mean that fabric becomes washable when made into a garment as the shrinking has already been done!<\/p>\n<p><strong>Pressing <\/strong>involves placing the iron on the fabric, holding for a moment, lifting and replacing on another section \u2013 without moving the iron back and forth as you do when ironing.<\/p>\n<p><strong>Pressing Cloth <\/strong>is a clean cloth that is placed over fabric whilst pressing and ironing to prevent marking. This can be used damp for steam pressing or dry. An organza press cloth is ideal as it withstands most temperatures and is transparent.<\/p>\n<p><strong>Pressing Ham<\/strong> is a \u2018ham\u2019 shaped stuffed cushion used to support the fabric to the right shape whilst ironing for curved areas such as darts, sleeves and princess seams. Also known as a dressmaker\u2019s or tailor\u2019s ham.<\/p>\n<p><strong>Pressure-Sensitive Adhesives<\/strong> form a bond by the application of light pressure to marry the adhesive with the adherend. These adhesives are designed for either permanent or removable applications.<\/p>\n<p><strong>Prick Stitch <\/strong>is a stitch used on fabrics such as velvet, it is a very small backstitch sewn with right side uppermost. Hand zip insertion is often done with prick stitch.<\/p>\n<p><strong>Primer<\/strong> is the initial coating or color, prior to final painting that provides the surface with the right absorbency and color.<\/p>\n<p><strong>Princess Seam<\/strong> is a seam stitched by machine with two different shaped edges that when joined shapes the garment. Used at bust and waist and hip areas. (See \u2018<a href=\"#curvedSeam\">Curved Seam<\/a>\u2019).<\/p>\n<p><strong>Puckering <\/strong>is caused by tight stitches on the fabric usually the result of incorrect tension or stitch length, seams that are cut on bias inaccurately or a needle that is the wrong size.<\/p>\n<p><strong>PVA<\/strong> or <strong>Polyvinyl acetate<\/strong> is the chemical base of archival white glue that dries transparent. Mixed with gel medium, it becomes water resistant. It is commonly used as an adhesive and also coating for decoupage.<\/p>\n<h2 id=\"goToQ\" style=\"text-align: center;\"><strong>Q<\/strong><\/h2>\n<p><strong>Quadrille Paper<\/strong> or <strong>Graph Paper<\/strong> is paper that is printed with a faint grid pattern, used for design layouts and embroidery patterns.<\/p>\n<p><strong>Quilling <\/strong>is a type of ornamental craftwork involving the shaping of paper, fabric, or glass into delicate pleats or folds.<\/p>\n<p><strong>Quilt Binding<\/strong> is a strip of fabric that is sewn on the edges of a quilt to cover the raw edges of the quilt top, batting, and backing.<\/p>\n<p><strong>Quilting<\/strong> is the craft of assembling two layers of cloth filled with a plush material and binding them together with stitched designs.<\/p>\n<h2 id=\"goToR\" style=\"text-align: center;\"><strong>R<\/strong><\/h2>\n<p><strong>Rag Paper<\/strong> is paper made from 50% to 100% cotton or linen fiber.<\/p>\n<p><strong>Raglan Sleeve <\/strong>is attached to the garment by a seam that runs diagonally down the front neckline to the underarm and up to the back of the neckline.<\/p>\n<p><strong>Raw edge<\/strong> is the edge of the fabric that has not been stitched or finished.<\/p>\n<p><strong>Ream<\/strong> is 500 sheets of paper.<\/p>\n<p><strong>Recycled Paper<\/strong> is paper made from post-consumer waste paper, which as been chemically processed, bleached, and reduced to pulp.<\/p>\n<p><strong>Reinforce<\/strong> is a term used to describe stitching over an area again to strengthen the seam. Used in areas of most stress such as crotch.<\/p>\n<p><strong>Repoussage<\/strong> is creating a raised design on thin metal sheets by hammering or pressing from the reverse side.<\/p>\n<p><strong>Resizing<\/strong> is the ability to change the scale of a design or pattern to fit.<\/p>\n<p><strong>Reverse Appliqu\u00e9<\/strong> is a piece of fabric used behind a design where the front fabric will be cut away to reveal the fabric beneath it.<\/p>\n<p><strong>Revere Collar<\/strong> is a flat V-shaped collar often found on blouses.<\/p>\n<p><strong>Ribbon <\/strong>is a narrow strip of woven fabric, often silk, used as a decorative trimming on clothing, packages and crafts. There are several varieties of ribbon:<\/p>\n<ul>\n<li><strong>Brocade<\/strong>: heavyweight silk, usually patterned.<\/li>\n<li><strong>Chiffon<\/strong>: lightweight, gauzy taffeta.<\/li>\n<li><strong>Grosgrain<\/strong>: ribbed crosswise.<\/li>\n<li><strong>Jacquard<\/strong>: a weave with an intricate, variegated pattern.<\/li>\n<li><strong>Moir\u00e9<\/strong>: a weave with a subtle luster or water effect.<\/li>\n<li><strong>Ombr\u00e9<\/strong>: blended stripes of color that give a two-toned or multi-colored effect.<\/li>\n<li><strong>Organdy<\/strong>: lightweight, translucent, of silk, cotton or rayon.<\/li>\n<li><strong>Satin<\/strong>: glossy, close-woven silk.<\/li>\n<li><strong>Taffeta<\/strong>:lightweight, smooth silk.<\/li>\n<li><strong>Velvet<\/strong>: silk, with a short, close nap of erect threads resulting in a soft texture. Sometimes woven on a cotton backing.<\/li>\n<li><strong>Wired<\/strong>: wire is woven into the outside edges of the ribbon so the ribbon will hold a shape for bows and twists.<\/li>\n<\/ul>\n<p><strong>Rice Paper<\/strong> is any of several lightweight Oriental papers. It can possibly contain rice straw or rice starch.<\/p>\n<p><strong>Right side<\/strong> is the side of fabric that you wish to use as the outside; the side with printing or design. For some fabrics, such as linen, silk or polyester, it is difficult to distinguish the right or wrong side, in which case it doesn\u2019t matter.<\/p>\n<p><strong>Rise <\/strong>is the distance from hip to waist. Rise measurement is taken from the waist down to the upper leg side when making trousers.<\/p>\n<p><strong>Rolled Collar <\/strong>is softly rolled where it folds down from the stand (as opposed to a collar with a pressed crease at the fold).<\/p>\n<p><strong>Rolled Hem<\/strong> is a very narrow hem finish. Fold raw edge under 3 mm and stitch. Trim close to fold, turn under again along. stitching and stitch again. Alternatively, use a rolled hem foot on a sewing machine which rolls the hem through the foot prior to stitching.<\/p>\n<p><strong>Rotary Cutter<\/strong> is a cutting tool which is ideal for cutting long straight lengths of fabric. Looks like a pizza cutter with a circular blade.<\/p>\n<p><strong>Rouleau Loop<\/strong> or <strong>Frog Fastening<\/strong> is a narrow fabric tube, which forms a loop to fasten a round button.<\/p>\n<p><strong>Rubber Stamping<\/strong> is imprinting a design or text on a surface using ink\u00a0applied to a piece of rubber or similar material that is carved or molded into a relief of the design.<\/p>\n<p><strong>Ruffle <\/strong>is a decorative gathered trim made from a piece of fabric usually cut on the bias.<\/p>\n<p><strong>Running Stitch <\/strong>is an easy hand stitch used to hold layers together. Made by running the needle through to back and up to front repeatedly along the seam line. There are gaps between stitching on both sides.<\/p>\n<h2 id=\"goToS\" style=\"text-align: center;\"><strong>S<\/strong><\/h2>\n<p><strong>Satin Stitch <\/strong>is a shortened, closely stitched zigzag stitch which creates a close line of stitches to cover raw edges. Used as a decorative stitch or to attach appliqu\u00e9s.<\/p>\n<p><strong>Scrapbooking<\/strong> is preserving pictures, clippings, or other mementos in an artistic manner by mounting them in books.<\/p>\n<p><strong>Scumbling<\/strong> is semi-opaque or thinned colors loosely sponged or brushed over a surface so that some of the color beneath shows through.<\/p>\n<p><strong>Sealer<\/strong> is a protective coating applied to surface before and after painting, which prevents chemical reactions between the paints and the surfaces.<\/p>\n<p><strong>Seam Allowance <\/strong>is the piece of fabric between the fabric edge and the stitching. This is usually 15 mm for dressmaking and 6 mm for crafts.<\/p>\n<p><strong>Seam Line<\/strong> is the line on which to sew when putting a garment together. It is this seam line that must be matched when putting the garment together and not the raw edges.<\/p>\n<p><strong>Seam Ripper<\/strong> is a little cutting tool used to undo seam stitching. Frequently found in a sewing machine\u2019s tool kit.<\/p>\n<p><strong>Selvage <\/strong>is the bound side edges of the fabric which doesn\u2019t fray.<\/p>\n<p><strong>Separating Zip <\/strong>is a zipper that comes apart so the garment can open completely. Used on jackets and sportswear.<\/p>\n<p><strong>Sequin<\/strong> is a small shiny disk of plastic, often sewn on cloth in mass quantities as decoration.<\/p>\n<p><strong>Serging <\/strong>or <strong>Overlocking <\/strong>is an overcast stitch which encases the edge and helps to neaten raw edges.<\/p>\n<p><strong>Set-in Sleeve <\/strong>is set into the armhole with a seam on the shoulder end (also known as a mounted sleeve).<\/p>\n<p><strong>Sew-through Button <\/strong>is a flat button with holes through to sew onto the garment. Use on lightweight garments.<\/p>\n<p><strong>Shade<\/strong> is a darker color made by adding black.<\/p>\n<p><strong>Shank Button <\/strong>is a button which has a loop on the back to provide space between itself and the garment. This shank enables fabric to pass through button and lay flat.<\/p>\n<p><strong>Shirring<\/strong> is rows of machine gathering to take in fullness.<\/p>\n<p><strong>Shoulder Pads<\/strong> are felt or foam shaped pads that are inserted into the shoulders of garments to give shape. Especially used in tailored garments and come in perform shapes and sizes.<\/p>\n<p><strong>Silicone Rubber Sealant<\/strong> or <strong>Adhesive<\/strong> is strong adhesive that can also be used to create raised, embossed texture to a surface.<\/p>\n<p><strong>Sizing<\/strong> is a liquid additive during paper-making or applied to paper after it has been formed, which conditions the paper surface and controls the paper\u2019s ink absorbency. Sizing materials include rosin, glue, gelatin, or starch. In gold leafing, size is the adhesive used for applying the leaf.<\/p>\n<p><strong>Slash<\/strong> refers to a cut opening in the garment e.g. neckline or pocket.<\/p>\n<p><strong>Slip Stitch <\/strong>is a stitch used to turn under edges and to close gaps left for turning garments through. Stitches are barely visible on the right side.<\/p>\n<p><strong>Slit <\/strong>is an open part of a seam on a garment which is found on skirts.<\/p>\n<p><strong>Snap Fasteners<\/strong> or <strong>Poppas<\/strong> have two components that snap together to fasten. Each half is attached to fabric pieces that need to be opened.<\/p>\n<p><strong>Snips<\/strong> are small cutting tool like scissors used to cut thread.<\/p>\n<p><strong>Soldering<\/strong> is a process in which two or more metal items are joined together by melting a filler metal (solder) &#8211; a key element of jewelry making and metal crafts.<\/p>\n<p><strong>Spool <\/strong>is the thread holder on a sewing machine (also known as thread spindle) OR a reel of thread.<\/p>\n<p><strong>Specialty Threads <\/strong>are threads used for embroidery that have a special effect. This can be metallic, neon, variegated, thicker woolen threads etc. Usually made from synthetic materials like rayons and metallics.<\/p>\n<p><strong>Spindle<\/strong> is the thread holder on a sewing machine. Also known as the thread spool.<\/p>\n<p><strong>Stabilizer <\/strong>is woven or nonwoven material used to prevent fabric puckering when stitching dense designs such as embroideries or when stitching on stretch fabrics. These come in lots of different styles including fusible, soluble, tear-away and in various weights.<\/p>\n<p><strong>Stamp Positioner<\/strong> is a tool like a T-square, used for positioning rubber stamp images.<\/p>\n<p><strong>Stash<\/strong> is a collection of fabrics awaiting use!<\/p>\n<p><strong>Stay Stitching <\/strong>is a line of stitching done to stabilize fabric and prevent it from unwanted stretching prior to seaming. Usually done just inside the seam line on curved edges.<\/p>\n<p><strong>Stencil<\/strong> is a template made by cutting a design in a stiff material like paper, plastic, cardboard, or metal. It is affixed to a surface and paint or ink is brushed or pounced over the stencil to create the design on the surface below.<\/p>\n<p><strong>Stippling<\/strong> is a drawing technique consisting of many small dots or flecks to construct the image; technique of using small dots to simulate varying degrees of solidity or shading; to paint, engrave, or draw by means of dots or small touches of the brush, pen, or other tool.<\/p>\n<p><strong>Stitch in the Ditch <\/strong>is a method of attaching facings or bias binding to the underside by stitching on the RIGHT side, stitching in the previous seam line by pulling fabric tight to left and right.<\/p>\n<p><strong>Straight Grain<\/strong> is what the grain line follows: the warp threads.<\/p>\n<p><strong>Straight Stitch<\/strong> are single forward stitches.<\/p>\n<p><strong>Stroking the Cat <\/strong>is stitching in the direction of the grain (to find the direction of the grain, run finger along cut edge and stitch in direction in which fibers curl smoothly).<\/p>\n<h2 id=\"goToT\" style=\"text-align: center;\"><strong>T<\/strong><\/h2>\n<p><strong>Tacking <\/strong>See Basting.<\/p>\n<p><strong>Tagboard<\/strong> or <strong>Posterboard<\/strong> is a lightweight cardboard that comes in a variety of colors and sizes.<\/p>\n<p><strong>Tailor\u2019s Tack<\/strong> is a way of marking placement points on garments for buttonholes, darts, pockets etc. A hand stitch, use a double length of thread to make two very loose loopy stitches through tissue pattern and both fabric layers. Snip the loops and pull fabric apart gently, snipping thread between layers so that some thread is in both fabric pieces. Always use a contrasting thread so Tailor\u2019s Tacks can be seen easily.<\/p>\n<p><strong>Tape Pen<\/strong> is an applicator for glue which will produce a line like double sided tape. Easy to use. Available in permanent &amp; repositionable.<\/p>\n<p><strong>Tea Bag Folding<\/strong> originated in Holland. Credit for its origin is given to a woman named Tiny van der Plaas. Sitting at her table, worrying about a birthday card for her sister that she had forgotten to pick up, Tiny van der Plaas began folding her fruit tea bag envelope. This gave her an idea and, also, gave birth to tea bag folding.<\/p>\n<p><strong>Tea Dyeing<\/strong> is imitating the look of aged, yellowed paper or fabric by soaking it in strong tea for an hour, drying and pressing it. Darker spots can be created by letting the teabag sit on the paper for 15 minutes. Scented teas like herbal or spice teas will leave a lingering aroma.<\/p>\n<p><strong>Tearing<\/strong> exposes a feathered edge. If using colored paper with a white core, this edge can be colored with chalks, paints &amp; pens.<\/p>\n<p><strong>Tempera<\/strong> is an ancient paint formula of pigments, water, and organic gum (egg yolk) or glue, which delivered a luminous matte finish on frescoes and wood. Modern tempera, also known as poster paint, is an opaque, water-based paint that is water soluble even after drying.<\/p>\n<p><strong>Template<\/strong> is a pattern or gauge use for reproducing a design or cut.<\/p>\n<p><strong>Tension<\/strong> is the tautness of the stitch, which comes from the pressure being exerted between the needle and bobbin. On a sewing machine there are two types of tension &#8211; thread and bobbin.<\/p>\n<p><strong>Tint<\/strong> is a lighter color made by adding white.<\/p>\n<p><strong>Tissue Paper<\/strong> is a lightweight, translucent paper.<\/p>\n<p><strong>Toile<\/strong> is a garment made from cheap fabric such as Calico and is used to \u2018prove\u2019 a pattern and to make sure the pattern fits perfectly. This is important to do when using expensive and delicate fabrics where alterations would mark like silk wedding dresses.<\/p>\n<p><strong>Tone<\/strong> is lighter or darker variations of a specific color.<\/p>\n<p><strong>Topper<\/strong> is usually a self-adhesive embellishment for making quick &amp; easy handmade cards.<\/p>\n<p><strong>Topstitching<\/strong> is a row of stitching that should be visible on the finished garment. Topstitching can be decorative and\/or functional as it also serves to hold facings in place.<\/p>\n<p><strong>Tracing paper<\/strong> is a lightweight, translucent paper, heavier than tissue paper, used for transferring designs by tracing.<\/p>\n<p><strong>Tracing wheel <\/strong>is used with carbon paper, it is a little serrated wheel that when rolled over the carbon paper, transfers the color to fabric to mark placement lines for darts, pleats etc.<\/p>\n<p><strong>Transfer Foil<\/strong> is used with glue, double sided tape of glue shapes such as Magic Motifs. It adheres to the glue leaving a foiled shape behind.<\/p>\n<p><strong>Transfer Glaze<\/strong> is a water-based glaze which binds pictures (printed inks) into a plastic film which can then be put on a new surface. Can be used to transfer photocopied photographs, text and images to most fabrics including canvas making it of great use to altered art enthusiasts.<\/p>\n<p><strong>Transfer Medium<\/strong> or <strong>Transfer Solution<\/strong> is a powerful solvent that reactivates the ink in toner-based photocopies, enabling the image to be transferred to paper, fabric or a hard surface.<\/p>\n<p><strong>Translucent<\/strong> is between transparent and opaque; objects can be seen through it but without clarity.<\/p>\n<p><strong>Transparent Tape<\/strong> is a strip of clear plastic film backed with a pressure sensitive adhesive.<\/p>\n<p><strong>Trim<\/strong> 1) Thin decorative strip such as ribbon or lace that is placed on a garment. 2) Term used to describe cutting away excess fabric from seam allowances.<\/p>\n<p><strong>Trimmer<\/strong> is a paper trimmer allows you to cut paper and card straight and to certain lengths. Most trimmers have built in rulers so you measure out and cut exactly the length you need.<\/p>\n<p><strong>Triple Embossing<\/strong> is achieved when a rubber stamp is pressed into hot UTEE to leave a debossed image (so called because it normally takes at least 3 layers of UTEE to get a nice thickness to stamp into).<\/p>\n<p><strong>Trompe l&#8217;oeil<\/strong> is French for &#8220;fool the eye.&#8221; A two-dimensional representation that is so naturalistic that it looks actual or real (three-dimensional). This form of painting was first used by the Romans thousands of years ago in frescoes and murals.<\/p>\n<p><strong>Tuck<\/strong> is a larger version of Pintuck \u2013 a fold in fabric that is stitched down.<\/p>\n<p><strong>Turn of the Cloth <\/strong>refers to the amount of fabric that is taken up in the fold when fabric is folded into two or turned through to right side. Particularly important to consider when dealing with bulky fabrics.<\/p>\n<p><strong>Twill<\/strong> is a medium weight, ribbed fabric usually made from cotton and polyester. Can be decorated with rubber stamping or printed on via a P.C. to create personalized messages.<\/p>\n<p><strong>Typography<\/strong> is the arrangement and appearance of characters in printed matter.<\/p>\n<p><strong>Tyvek Fabric<\/strong> is sheets of bonded spun polythene fibers. It will bubble and distort when heated, resulting in an alligator-skin texture.<\/p>\n<h2 id=\"goToU\" style=\"text-align: center;\"><strong>U<\/strong><\/h2>\n<p><strong>Undercoat<\/strong> is the first layer of paint applied; usually a neutral color to provide a consistent background.<\/p>\n<p><strong>Underlining<\/strong> is the lining used to add body to a garment, placed between main fabric and interfacing. Also known as Interlining.<\/p>\n<p><strong>Under Stitching<\/strong> is a row of stitching through seam allowances and facings, very close to seam that attaches facing to main garment. Used to stop lining or facings from rolling out.<\/p>\n<p><strong>Universal Needle<\/strong> is a needle which has a slightly rounded tip. Used for woven and knit fabrics.<\/p>\n<p><strong>Unryu<\/strong> or <strong>Dragon Paper<\/strong> is a strong, lightweight acid-free paper with a swirled texture, used in origami and paper crafting.<\/p>\n<p><strong>Ultra Thick Embossing Enamel (UTEE)<\/strong> is a large grain embossing powder. When this powder is melted a bumpy texture is created. You can keep adding layers and heat each layer as you go which will smooth out this bumpy look and give the effect of a glazed surface.<\/p>\n<h2 id=\"goToV\" style=\"text-align: center;\"><strong>V<\/strong><\/h2>\n<p><strong>Varnish<\/strong> is a protective coating used over a finished painting or object. Varnishes are available in water-base or oil base varieties, as well as glossy or matte finishes.<\/p>\n<p><strong>Velcro <\/strong>is a brand name for hook and look tape used as fastening. One strip has tiny hooks and the other a soft surface to snag the hooks.<\/p>\n<p><strong>Vellum<\/strong> is a heavy weight, translucent drawing or crafting paper.<\/p>\n<p><strong>Verdigris<\/strong> is a film, often blue\/green, that forms on copper and bronze as a result of the oxidation of the copper due to weathering. Various chemical treatments will induce colored patinas on new metal work, and it is often imitated in antiquing and painting techniques.<\/p>\n<p><strong>Versamark: <\/strong>is a clear ink which creates a translucent effect. Can also be used as embossing ink.<\/p>\n<p><strong>View<\/strong> is found on paper patterns and refers to the variations in style of the garment.<\/p>\n<h2 id=\"goToW\" style=\"text-align: center;\"><strong>W<\/strong><\/h2>\n<p><strong>Wadding <\/strong><strong>or <\/strong><strong>Batting<\/strong> is a flat material used to stuff and pad, usually cotton, wool or fiberfill.<\/p>\n<p><strong>Walking Foot <\/strong>is a presser foot for a sewing machine that allows even sewing over lots of layers or thicker fabric as it helps to grip the fabric layers and \u2018walks\u2019 it through when sewing. It has moving \u2018teeth\u2019 on the foot that work in unison with the feed dogs of the machine.<\/p>\n<p><strong>Walnut Ink<\/strong> is derived from walnut shells, this ink is available as a liquid or a crystalline colorant to be mixed with water.<\/p>\n<p><strong>Warp<\/strong> is the term describing the way the threads run lengthways through a woven fabric. Also known as \u2018lengthwise grain\u2019.<\/p>\n<p><strong>Wash<\/strong> is a thin layer of diluted paint or ink.<\/p>\n<p><strong>Waterbrushes<\/strong> are artist size paintbrushes with a built in water reservoir enabling the user to create watercolor effects easily and mess free. Suitable for use with watercolor pencils, aqua crayons, H2Os and inkpads. Several sizes available to cover background painting and more detailed designs.<\/p>\n<p><strong>Watercolor<\/strong> is a water-based, translucent paint usually made from pigments, gum Arabic, and water.<\/p>\n<p><strong>Watercolor Board<\/strong> is a piece of 100% cotton rag watercolor paper, stretched and affixed to a rigid ply board.<\/p>\n<p><strong>Watercolor Paper<\/strong> is a 100% cotton rag paper that comes in multiple weights and surface textures.<\/p>\n<p><strong>Watercolor Pencils<\/strong> are a watercolor medium in pencil form. Can be used as an ordinary colored pencil or mixed with water to create watercolor paint. Used to color in stamped images, create backgrounds or general watercolor effects.<\/p>\n<p><strong>Waterleaf<\/strong> is an absorbent paper, like blotter paper.<\/p>\n<p><strong>Watermark<\/strong> is the translucent design or name that is visible when paper is held to the light.<\/p>\n<p><strong>Waterslide Decals<\/strong> are images that are printed on a clear film on a backing paper. You soak the decal in water to release the backing, and you &#8220;slide&#8221; the image onto a surface where it dries and adheres.<\/p>\n<p><strong>Wearable Art<\/strong> is clothing, jewelry an accessories that have been decorated or embellished.<\/p>\n<p><strong>Weft <\/strong>is a term describing the way the threads run at right angles to the length of a woven fabric. Also known as \u2018cross grain\u2019.<\/p>\n<p><strong>Welt <\/strong>is a method for covering raw edges of a pocket. This is the visible part of the binding on a buttonhole or pocket opening that looks like a lip.<\/p>\n<p><strong>Wheat Paste <\/strong>or <strong>Wallpaper Paste<\/strong> is a liquid adhesive made from flour and water, and commonly used book binding, decoupage, collage, and paper mach\u00e9.<\/p>\n<p><strong>Whipstitch<\/strong> is a strong over-edged hand stitch used for joining two edges together.<\/p>\n<p><strong>Wing Needle<\/strong> is a wide wing shaped needle which is flared at the sides to purposefully leave holes in fabric as it stitches. Use a wing needle on woven fabrics for heirloom stitching.<\/p>\n<p><strong>Wire<\/strong> flexible copper wire available in a variety of colors and thicknesses.<\/p>\n<p><strong>Woodcut<\/strong> is an ancient technique of making prints from a relief surface. The designs are made by carving into the wood\u2019s grain.<\/p>\n<p><strong>Wrong Side<\/strong> is the side of the fabric without the design \u2013 the side to be used as under or inside.<\/p>\n<h2 id=\"goToX\" style=\"text-align: center;\"><strong>X<\/strong><\/h2>\n<p><strong>Xyron <\/strong>is a machine that applies adhesive to pages and can also laminate.<\/p>\n<p><strong>Xyron Personal Cutter (XPC) <\/strong>is an electric machine that cuts shapes (similar to a die cutter, but more versatile).<\/p>\n<p><strong>Xerographic Paper <\/strong>is paper made to reproduce well in copy machines and laser printers.<\/p>\n<h2 id=\"goToY\" style=\"text-align: center;\"><strong>Y<\/strong><\/h2>\n<p><strong>Yixing (<\/strong>pronounced ee-shing) is a purple pottery clay named after a city in Jiangsu province, eastern China.<\/p>\n<p><strong>Yuzen <\/strong>is colorful Japanese hand-dyeing technique where each pattern is drawn by hand, often creating unique designs or very limited series.<\/p>\n<h2 id=\"goToZ\" style=\"text-align: center;\"><strong>Z<\/strong><\/h2>\n<p><strong>Zigzag Stitch <\/strong>is a stitch that goes diagonally side to side to produce a decorative finish to a seam or join two layers next to each other.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z A Acetate is transparent [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-272","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - 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